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February 6, Mud wasp nests have helped establish a date for one of the ancient styles of Aboriginal rock art in the Kimberley. One wasp nest date suggested one Gwion painting was older than 16, years, but the pattern of the other 23 dates is consistent with the Gwion Gwion period being 12, years old.
The rock paintings , more than twice as old as the Giza Pyramids, depict graceful human figures with a wide range of decorations including headdresses, arm bands, and anklets. Some of the paintings are as small as 15cm, others are more than two meters high. The details of the breakthrough are detailed in the paper 12,year-old Aboriginal rock art from the Kimberley region, Western Australia, now published in Science Advances.
More than mud wasp nests collected from Kimberley sites, with the permission of the Traditional Owners, were crucial in identifying the age of the unique rock art. Lack of organic matter in the pigment used to create the art had previously ruled out radiocarbon dating. But the University of Melbourne and ANSTO scientists were able to use dates on 24 mud wasp nests under and over the art to determine both maximum and minimum age constraints for paintings in the Gwion style.
Gwion paintings in the Kimberley were created around 12,000 years ago, wasp nests suggest
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Source: Business Insider. Source: New York Post.
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The West Kimberley, Western Australia
A momentum of research is building in Australia’s Kimberley region, buoyed by the increasing local and international interest in the rich cultural heritage associated with our first Australians. My research focuses on understanding the complex formation mechanisms associated with mineral accretions forming on the walls and ceilings of rock art shelters. Often found to over and underlie rock paintings and engravings, once characterised, recent advances I have made in the application of radiogenic dating techniques to these accretions, are providing the first opportunity to produce maximum, minimum and bracketing ages for the associated rock art.
These ages are being used to anchor this rock art sequence to an absolute chronology and to integrate it into the emerging archaeological record of colonisation and settlement in northern Australia, increasing our understanding of Australia’s first people and helping to gain recognition for the Kimberley region as a heritage site of international significance.
This research has been based around extensive remote fieldwork in the Drysdale and King George River and Doubtful Bay regions of the Kimberley in northern Western Australia, working alongside local traditional owners and pastoral lease holders. I work in a large research team which includes a range of experts in archaeology and alternative dating techniques such as optically stimulated luminescence and cosmogenic nuclide dating.
Enigmatic human figures with elaborate headdresses, arm and waist decorations adorn rock shelters in the Kimberley region of Western Australia. This style of art, known as Gwion, Kiro Kiro or Kujon, was painted by the ancestors of today’s traditional owners around 12, years ago, a new study suggests. The date of the art work, published today in the journal Science Advances , is based on radiocarbon dating of mud wasp nests. As the traditional owners used fire to manage their country, the small black and yellow wasp built their time capsules above and below the artworks tucked away in the rock shelters.
While most Gwion paintings studied by the team had either had a nest under or over part of the artwork, one painting had two nests on top and one under. The Gwion period, which used to be known as the Bradshaw paintings, is thought by archaeologists to be the second oldest of at least six distinct periods of creative styles depicting stories and songlines passed from generation to generation. I just say ‘I don’t know, it’s just older than me or you,” Mr Waina said.
Is it from our older, older, older people? Over the past six years, archaeologists, scientists and pastoralists have been working with traditional owners such as Mr Waina to record rock art sites as part of the Kimberley Rock Art project.